Tweet
Not sure if I was the only one who wondered what a "Dagon" was(Ek's avator line is "the original Dagon") so I did a little research and here is what I found(thanks Wiki').
From Wiki
"Fish-god tradition
Rashi records a tradition that the name Dāgôn is related to Hebrew dāg/dâg 'fish' and that Dagon was imagined in the shape of a fish: compare the Babylonian fish-god Oannes. In the thirteenth century David Kimhi interpreted the odd sentence in 1 Samuel 5.2–7 that "only Dagon was left to him" to mean "only the form of a fish was left", adding: "It is said that Dagon, from his navel down, had the form of a fish (whence his name, Dagon), and from his navel up, the form of a man, as it is said, his two hands were cut off." The Septuagint text of 1 Samuel 5.2–7 says that both the arms and the legs of the image of Dagon were broken off.[5]
H. Schmökel asserted in 1928[6] that Dagon was never originally a fish-god, but once he became an important god of those maritime Canaanites, the Phoenicians, the folk-etymological connection with dâg would have ineluctably affected his iconography.[7]
Dagon is sometimes identified with Matsya, the fish avatar of Vishnu, who jumped into the ocean to fight a demon. A statue in Keshava temple in Somnathpur, India depicts Matsya as a fish from the waist down. The fish form may be considered as a phallic symbol as seen in the story of the Egyptian grain god Osiris, whose penis was eaten by (conflated with) fish in the Nile after he was attacked by the Typhonic beast Set. Likewise, in the tale depicting the origin of the constellation Capricornus, the Greek god of nature Pan became a fish from the waist down when he jumped into the same river after being attacked by Typhon.
Various 19th century scholars, such as Julius Wellhausen and William Robertson Smith, believed the tradition to have been validated from the occasional occurrence of a merman motif found in Assyrian and Phoenician art, including coins from Ashdod and Arvad.
John Milton uses the tradition in his Paradise Lost Book 1:
... Next came one
Who mourned in earnest, when the captive ark
Maimed his brute image, head and hands lopt off,
In his own temple, on the grunsel-edge,
Where he fell flat and shamed his worshippers:
Dagon his name, sea-monster, upward man
And downward fish; yet had his temple high
Reared in Azotus, dreaded through the coast
Of Palestine, in Gath and Ascalon,
And Accaron and Gaza's frontier bounds."
From Wiki
"Fish-god tradition
Rashi records a tradition that the name Dāgôn is related to Hebrew dāg/dâg 'fish' and that Dagon was imagined in the shape of a fish: compare the Babylonian fish-god Oannes. In the thirteenth century David Kimhi interpreted the odd sentence in 1 Samuel 5.2–7 that "only Dagon was left to him" to mean "only the form of a fish was left", adding: "It is said that Dagon, from his navel down, had the form of a fish (whence his name, Dagon), and from his navel up, the form of a man, as it is said, his two hands were cut off." The Septuagint text of 1 Samuel 5.2–7 says that both the arms and the legs of the image of Dagon were broken off.[5]
H. Schmökel asserted in 1928[6] that Dagon was never originally a fish-god, but once he became an important god of those maritime Canaanites, the Phoenicians, the folk-etymological connection with dâg would have ineluctably affected his iconography.[7]
Dagon is sometimes identified with Matsya, the fish avatar of Vishnu, who jumped into the ocean to fight a demon. A statue in Keshava temple in Somnathpur, India depicts Matsya as a fish from the waist down. The fish form may be considered as a phallic symbol as seen in the story of the Egyptian grain god Osiris, whose penis was eaten by (conflated with) fish in the Nile after he was attacked by the Typhonic beast Set. Likewise, in the tale depicting the origin of the constellation Capricornus, the Greek god of nature Pan became a fish from the waist down when he jumped into the same river after being attacked by Typhon.
Various 19th century scholars, such as Julius Wellhausen and William Robertson Smith, believed the tradition to have been validated from the occasional occurrence of a merman motif found in Assyrian and Phoenician art, including coins from Ashdod and Arvad.
John Milton uses the tradition in his Paradise Lost Book 1:
... Next came one
Who mourned in earnest, when the captive ark
Maimed his brute image, head and hands lopt off,
In his own temple, on the grunsel-edge,
Where he fell flat and shamed his worshippers:
Dagon his name, sea-monster, upward man
And downward fish; yet had his temple high
Reared in Azotus, dreaded through the coast
Of Palestine, in Gath and Ascalon,
And Accaron and Gaza's frontier bounds."
Comment